Brenden Rensink (Brigham Young University)
June 11, 2019
4-6 p.m., P 207 (Philosophicum)
Drawing from his recent award-winning book, Native but Foreign: Indigenous Immigrants and Refugees in the North American Borderlands, historian Brenden W. Rensink will compare the histories of indigenous peoples who traversed North American borders in the nineteenth and twentieth centuries. The Crees who crossed the border from Canada into Montana and Yaquis who migrated across the border into Arizona from Mexico provide unique examples of Native peoples crossing into the United States as laborers, immigrants, and refugees. These histories question how opposing national borders affect and react differently to Native identity, offer new insights into what it has meant to be “indigenous” or an “immigrant,” and complicate familiar narratives in Native American, American West, and Borderlands histories. Rensink’s presentation will hopefully generate as many questions as it answers and urge scholars to reexamine their own research from new angles.
Brenden W. Rensink (Ph.D., 2010) is the Associate Director of the Charles Redd Center for Western Studies and an Associate Professor of History at Brigham Young University. His most recent book, Native but Foreign: Indigenous Immigrants and Refugees in the North American Borderlands won the 2019 Spur Award for Best Historical Nonfiction Book. He is also the co-editor and co-author of four additional books, and author multiple articles, book chapters, and reviews. Rensink is the Project Manager and General Editor of the Intermountain Histories digital public history project and as the Host and Producer of the Writing Westward Podcast.
You can download the poster for the event here.
“From Confucius to Mickey Mouse”
11.30 a.m. – 5 p.m.
02.102 (Philosophicum II)
Alfred Hornung (OI), Florian Freitag (OI), and Chang Liu (U of Heidelberg) invite you to a workshop on U.S.-Chinese Transcultural Dynamics.
Please see below for the program and further info or download the flyer here.
11:30 MAOdonna: On Madonna’s Star Image in China
Chang Liu (Heidelberg)
12:15 Decoding Female Elites: Commodities and Commodified Women in Contemporary Asian TV Dramas
Ruxin Jia (Heidelberg)
14:00 Middle Magic Kingdoms: The Theme Park in China
Florian Freitag (OI)
14:45 The Belt and Road Initiative and Transcultural Communication
Alfred Hornung (OI)
15:30 Survivors or Returnees? Writer Identity Developed in Li-Young Lee
Mohan Ding (Göttingen)
16:15 The Lost Utopia – Photographs of Mount Huang in 1920s and 1930s China
Qiuzi Guo (Heidelberg)
U.S.-CHINESE TRANSCULTURAL DYNAMICS
During the late eighteenth century, the Founding Fathers’ adaptation of Confucian ethics of conduct played a pivotal role in the formation of the American democracy and its public life, as taken up in Ezra Pound’s embracement of Confucius’ ideas and in his Cantos. In the twentieth century, the reception of the aesthetics, politics, and economic strategies of Disney theme parks had a similar impact on the “Disneyfication” of public space in China. These examples illustrate the longevity, the variety, but also the multi-directionality of U.S.-Chinese cultural relations. Within the various transnational networks spanning the Pacific Rim, relations between the U.S. and China have always played a special role, inspiring such concepts as “Chimerica” (Ferguson/Schularick; with an emphasis on economic and political aspects) and “ChinAmerica” (Hornung; with a focus on intercultural relations). The two cannot be easily separated, however, as politics and the economy have provided the legal framework and the material resources for cultural interactions and culture has profoundly determined the protocols of political and economic encounters. “From Confucius to Mickey Mouse: U.S.-Chinese Transcultural Dynamics” therefore inquires not only into particular instances of cultural exchanges between China and the United States, but also into their legal, economic, logistical and infrastructural, as well as medial underpinnings and consequences.Issues addressed during the workshop thus include: Who were the actors and interpersonal networks behind these transcultural dynamics and what motivated and drove, but also hindered their various ventures? Which media sustained U.S.-Chinese transcultural relations and how did their specific (im)materiality, media logics, and regulation impact these cultural exchanges? What was the reception and the impact of transcultural dynamics between China and the U.S. in China, America, and elsewhere? And finally, what is the role of the Confucius Institutes and how does the Trump administration promote Chinese leadership in the 21st century?
Ian Afflerbach (University of North Georgia, USA)
June 6, 2019
ROOM CHANGE: 02.102 (Philosophicum II)
This talk examines debates about method in modernist periodical studies and the digital humanities, focusing on recent conversations abount “strong” and “weak” theories of reading. In so doing, the talk would draw on examples from my experience with journals like Partisan Review, The Dial, and Astounding Stories, describing the benefits (and complexities) of conducting research with these journals, as well as teaching with them – a vital benefit of periodical studies that we too often exclude.
Ian Afflerbach is an Assistant Professor of American Literature at the University of North Georgia. He teaches and researches in 20th century American literature and politics, modernism and modernist studies, African-American Literature, periodical culture, and the history of ideas.
You can download the poster for the event here. (Please note the room change as indicated above.)
The Obama Institute and the “Narrative Medicine” program at Columbia University, New York invite everyone to a conference (June 20 & 21) and a workshop (June 22 & 23) on “Cultures of Medicine” and “Narrative Medicine” (co-organized with the Center of Continuing Education at JGU).
For the full schedule, further details, and registration, please visit zww.uni-mainz.de/tagungen-und-workshops/narrative-medicine/.
You can also download the flyer here.
Conference participation is free of charge.
For remission or reimbursement of the workshop fee, please contact Prof. Banerjee.
Jennifer Reimer (University of Graz, Austria)
Tuesday, May 28, 2019
10 a.m.-12 noon
P 109a (Philosophicum)
Transa may originate in Tijuana, but like so many Tijuanese, it is a mobile, border-crossing word. In transa, we hear the echo not only of transaction but also of transnational, transboundary, and many other concepts that have become increasingly popular in cultural studies of the Americas. Transa describes alternate forms of borderlands representation that are ‘transa-national’ and ‘transa-genre.’ Drawing on Montezemolo, Peralta and Yépez’s use of transa, in this chapter, I explore the varied potential of transa as an alternative border encounter—an approach that theorizes how transactions between the material realities of the US-Mexico borderlands and innovative aesthetics (form) produce experimental, transnational cultural texts.
Jennifer Reimer is a Lise Meitner Postdoctoral Fellow (American Studies) at the University of Graz, Austria. Previously Assistant Professor in the Department of American Culture and Literature at Bilkent University in Ankara, Turkey, Dr Reimer received her PhD in Ethnic Studies from the University of California, Berkeley in 2011, and her MFA in Writing from the University of San Francisco in 2005. She is the 2011 winner of the Gloria E. Anzaldúa Award for Independent Scholars, awarded by the Women’s Committee of the American Studies Association. Her first prose poetry book, The Rainy Season Diaries, was released in 2013 by Quale Press. She is the co-founder and co-editor of Achiote Press, an independent press dedicated to spotlighting underrepresented authors and artists.
You can download the poster for the event here.