Indigenous Print Cultures, Media, and Literatures 🗓

Indigenous Print Cultures, Media, and Literatures 🗓

Date: July 6-9, 2022
Location: Johannes Gutenberg-University Mainz
Hosted by the Obama Institute for Transnational American Studies and the Humanities Research Center at Virginia Commonwealth University (VCU)
Venues: Atrium Maximum, Campus JGU Helmholtz-Institute Mainz (HIM) Faculty Room, Philosophicum I

We are delighted to welcome you to Mainz in July this year for the “Indigenous Print Cultures, Media, and Literatures” Symposium, co-organized by the Obama Institute at JGU and the Humanities Research Center at VCU. Please find the tentative program below or download it here. Additionally, we are happy to provide maps and directions to help you, e.g., get from the hotel to the venues. Please find the maps below the tentative program or click here to download the maps. Public transportation in Mainz will cost you 1,50€ per short distance trip.

We will upload a separate document including WiFi access, setting up speaker/participant accounts, as well current Covid-19 regulations and restrictions soon. If you have any questions, please reach out to Anette Vollrath (anette.vollrath@uni-mainz.de).

If you would like to take a look at the hotels’ websites, please feel free to go to Hotel Königshof or Hotel Hammer.

Tentative Program

Wednesday, July 6, 2022 (Atrium Maximum, Campus JGU)

16:00 Registration

17:00 Welcome Reception:

Vice-Presidents for Research JGU, Prof. Dr. Stefan MĂŒller-Stach

Vice President for Research and Innovation, VCU, Dr. P. Srirama Rao

Director of the Obama Institute, Prof. Dr. Alfred Hornung

Symposium Organizers, Profs. Cristina Stanciu, Oliver Scheiding

17:45 In-person Keynote Lecture

Chair: Mark Rifkin (University of North Carolina at Greensboro)

Mishuana Goeman (Tonawanda Band of Seneca, Professor of Gender and American Indian Studies, University of California, Los Angele). â€œCarrying Our Ancestors Home: The Importance of Storytelling, Digital Projects, and Centering Tribal Voices”

18:30 Virtual Keynote Lecture

Gerald Vizenor (UC Berkeley, Emeritus), Waiting for Wovoka: Scenes from a Novel of Good Cheer and Native Hand Puppet Parleys”

19:00 Reception (Atrium Maximum)

Thursday, July 7, 2022 (Venue: Helmholtz-Institute Mainz (HMI))

9:00-10:30 Session 1

Indigenous Print Cultures and Language

Chair: Jutta Ernst (U of Mainz)

Noenoe Silva (UH Manoa): “The Twentieth-Century Hawaiian-Language Newspapers”

Christopher Pexa (U of Minnesota). “‘Bringing the Language Together’: OchĂ©ti Ć akĂłwiƋ Pasts and Futures in the Iapi Oaye (The Word Carrier) Newsletter”

Philip Round (U of Iowa): “The Role of Indigenous Languages in the Production of Native Texts/Periodicals at the End of the Nineteenth Century”

10:30-11:00 Coffee Break

11:00-12:30 Session 2

A Lasting Legacy of Periodicals and Politics

Chair: Mark Rifkin (UNC Greensboro)

Adam Spry (Emerson College), “The Demosthenes of White Earth: Theodore Beaulieu, The Progress, and the Recovery of an Indigenous Intellectual Tradition”

Jill Doerfler (U of Minnesota, Duluth), “‘A Few Honest Words’: Writing for the Anishinaabeg Today in the Twenty-first Century”

David Stirrup (U of Kent), “‘Indian Curiosity’: Re-presenting 19th-Century Ojibwe Survivance in 21st-Century Art and Drama”

12:30-13:30 Lunch

13:45-15:15 Session 3

Boarding School Publications

Chair: Cristina Stanciu (Virginia Commonwealth U) and Frank Newton (U of Mainz)

Lionel LarrĂ© (UniversitĂ© Bordeaux-Montaigne), “A Magazine not only About Indians, but Mainly by Indians: Native Representations in the Carlisle Publications at the Beginning of the 20th Century”

Frank Newton (U of Mainz), “Indigenous Dialogues: Early 20th Century Native American Discourse in Boarding School Publications”

Jane Griffith (Toronto Metropolitan University, Toronto, Canada), “Nineteenth Century Printing Programs and Indian Boarding Schools: What Archival Newspapers Reveal About Settler Colonialism Today” (Zoom)

15:15-15:30 Coffee Break

15:30-17:00 Session 4

Indigenous New Media and Literature

Chair: Philip Round (U of Iowa)

Bethany Hughes (U of Michigan), â€œLittle Chahta News Bird: Biskinik and Twitter as Sovereign Spaces”

RenĂ© Dietrich (KU EichstĂ€tt-Ingolstadt), “This Land and All my Relations: Podcasts and the Indigenous Digital Mediascape”

Dallas Hunt (U of British Columbia). “The Archive in Conflict: The Contours of Resource Extraction Literatures in Canada”

17:30-18:30 Keynote Lecture (Zoom)

Chair: Chadwick Allen (U of Washington)

Beth Piatote (UC Berkeley): “The Indigenous Archive and The Beadworkers: Stories

19:15 Reception (City Hall, Mayor-Mainz)

Friday, July 8, 2022 (Venue: Helmholtz-Institute Mainz (HMI))

9:00-10:30 Session 5 

Indigenous Writing, Rights, and Activism

Chair: Matt Bokovoy (U of Nebraska Press)

Cari M. Carpenter (West Virginia University), “‘What the Curious Want to Know’: Ora Eddleman Reed Advising Land Development and Rejecting Racial Stereotypes in Indian Territory”

Cristina Stanciu (Virginia Commonwealth U), “Gender and the Editors of the Indian Boarding School Press”

Miranda Johnson (U of Otago, New Zealand), “Indigenous Writing, Indigenous Rights: Activisms in the Post-War South Pacific”

10:30-11:00 Coffee Break

11:00-12:30 Session 6

Progressive Era Indigenous Periodicals and Magazines

Chair: Axel SchĂ€fer (U of Mainz)

Jonathan Radocay (UC Davis), “California Indian Paper Routes: Winnemem Wintu Futures in Progressive-Era Periodicals”

Kelly Wisecup (Northwestern University), “Simon Pokagon and Periodical Networks”

12:30-13:45 Lunch

14:00-15:30 Session 7 

Indigenous Printscapes and Indigeneity

Chair: Padraig Kirwan (Goldsmiths, University of London)

Kathryn Walkiewicz (UC, San Diego), “Indigenous Printscapes: Media Culture in Late Nineteenth-Century Indian Territory”

Frank Kelderman (U of Louisville), “Children’s Pages, Indigenous Writing: Reframing Labor, Learning, and Leisure, 1880-1913”

Mark Rifkin (University of North Carolina at Greensboro), “Indians Gone ‘Wild’: The Politics of Ethnographic Form in Zitkala-Ć a’s Stories”

15:30-16:00 Coffee Break

16:00-17:30 Session 8

Project Presentations: Indigenous Modernities

Chair: Chris Andersen (U of Alberta)

Kirby Brown (U of Oregon, Eugene), Co-editor of the Routledge Handbook to North American Indigenous Modernisms(2022)

Oliver Scheiding (U of Mainz), Editor of Anthology Project: “Indigenous Periodicals: American Indian Newspapers and Magazines, 1880-1930”

19:00-23:00 Dinner at “Strausswirtschaft Peter Dohm, Mainz” (Vinery Peter Dohm). Local transportation will be provided. http://winzerfamilie-peter-dhom.de

Saturday, July 9, 2022 (Venue: Faculty Room, Philosophicum I)

10-11:15 Session 9

Reassessing Indigenous Archives

Chair: Jill Doerfler (U of Minnesota, Duluth)

Chadwick Allen (U of Washington, Seattle), “Canoeing the Whale: Fred Graham’s Te Waiata o te Moana-nui-a-Kiwaat the Burke Museum(s)”

Birgit DĂ€wes  (Europa-UniversitĂ€t Flensburg), “Rethinking the Archive: Indigenous Museums, Temporality, and Representation”

11:15-11:30 Coffee Break

11:30-12:30 Final Discussion, Roundtable 

Chadwick Allen, Cari Carpenter, Mishuana Goeman, Mark Rifkin, Philip Round, Oliver Scheiding, Kelly Wisecup

Optional: Guided City Tour / Gutenberg Museum and Library

Maps (Hotels, Campus, Venues)

Map 1: Mainz Central Station to Hotel Hammer / Hotel Königshof

Map 2: Mainz Central Station to Mainz University Campus

Map 3: Mainz University Campus and Symposium Venues

Fig. 1: Venues: Atrium Maximum (top left), Philosophicum I (top right), Helmholtz-Institute (bottom)

Exhibition: Paperworlds/BlĂ€tterwelten in Germersheim 🗓

Exhibition: Paperworlds/BlĂ€tterwelten in Germersheim 🗓

Transnational Periodical Cultures Exhibition:

Paperworlds / BlÀtterwelten

27.04.2022 – 22.07.2022

JGU, Campus Germersheim, Mensa

Als Alternative zum Mainstream wollen unabhĂ€ngige Zeitschriften, sogenannte indie mags, vieles anders machen. Trotz des oft beschworenen Niedergangs von Print boomt der Indie-Zeitschriftenmarkt seit den 2010ern ungebrochen. Im Independent-Bereich trifft außergewöhnliches Design auf unterreprĂ€sentierte Themen und neue Perspektiven. Zum Beispiel verwenden marginalisierte Gruppen Zeitschriften als Sprachrohr fĂŒr Anliegen, die im Mainstream-Markt keine Plattform finden. Migrantische und sexuelle Minderheiten nutzen Magazine als gemeinschaftsbildende Darstellungsformen. Andere Indies zielen auf alternative Lifestyles, Hobbies, Sport, Mode und Design. Das AlltĂ€gliche und Gewöhnliche wird durch die kĂŒnstlerische Gestaltung ungewöhnlich.

Die Ausstellung ist als walk-by exhibition konzipiert. Durch Magazine exemplarisch illustriert werden die vier Bereiche Print/Digital, Cover, Zeit/Alltag und Sprache.

Zur Eröffnung erscheinen ein zweisprachiges Begleitheft und englischsprachige Clips.

Further information: http://www.transnationalperiodicalcultures.net/paperworlds-blatterwelten-in-germersheim/

 

Dec 16: Robopocalypse – Online Guest Lecture and Discussion with Author 🗓

Dec 16: Robopocalypse – Online Guest Lecture and Discussion with Author 🗓

Robopocalypse: Online Author Talk and Discussion

Daniel H. Wilson
(Cherokee | Author and Robotics Engineer, Portland, Oregon)

Dec 16, 18:00, Zoom

Access here:
Thema: Guest Lecture, Daniel H. Wilson
Uhrzeit: 16.Dez..2021 06:00 PM Amsterdam, Berlin, Rom, Stockholm, Wien
https://us06web.zoom.us/j/81707743307?pwd=ak9YQmxqMVlKTXdnQXdvY0EzYWw0QT09
Meeting-ID: 817 0774 3307
Kenncode: 332291

Daniel H. Wilson is Cherokee author from Portland, Oregon. He is an award-winning, New York Times best-selling author and robotics engineer. He is the author of Robopocalypse, Amped, and The Clockwork Dynasty, among other publications.

He earned an M.S. in Robotics and in Machine Learning, and a Ph.D. in Robotics in 2005 at the Robotics Institute at Carnegie Mellon University in Pittsburgh, Pennsylvania. His thesis work, entitled Assistive Intelligent Environments for Automatic Health Monitoring, focused on providing automatic location and activity monitoring in the home via low-cost sensors such as motion detectors and contact switches. He has worked as a research intern at Microsoft Research, the Xerox PARC, Northrop Grumman, and Intel Research Seattle. Also, he hosted a series on the History Channel entitled The Works, where he explained the hidden workings of everyday items.

In this guest lecture, Daniel H. Wilson is going to talk to us about his novel Robopocalypse. In the near future, a massively powerful artificial intelligence called Archos is created and cannot be contained. In those early months, only a handful of technological glitches are noticed by humans, as Archos starts to take over our cars, aircraft guidance systems, military robots, and computer networks – enslaving the entire global system that runs our lives. Then comes Zero Hour: The robot war suddenly ignites and as all the dazzling technology that runs our world turns against us, the human race is both decimated and for the first time in history, united. In the devastation that follows, humankind must destroy its own civilization to survive.

In the context of contemporary Indigenous Literature, Robopocalypse is revolutionary. It tackles issues of kinship, panhumanism, and indigenous futurism. The latter, employs tropes of science fiction to convey a decolonial narrative. Through techniques such as slipstream, worldbuilding, and First Contact scenarios, Robopocalypse constructs a speculative future that forces the reader to redefine the notion of humanity as such.

Everyone welcome!

Direct Exchange – Info Sessions 2021 for Programs in 2022/23 🗓

Direct Exchange – Info Sessions 2021 for Programs in 2022/23 🗓

On Nov 10 the Obama Institute will hold info sessions on its Direct Exchange programs. Please join us on MS Teams for more information about the exciting exchange opportunities!

Nov 10, 18:00-19:00 (s.t.)
Universities Group A (Click here to join!)

Nov 10, 19:00-20:00 (s.t.)
Universities Group B (Click here to join!)

Please find all details regarding each session on the flyer, which is available for download here and on the Exchange page.

Looking forward to seeing you online!

Anne Bull, Sandra Meerwein, and Nina Heydt

Exhibition: Paperworlds/BlĂ€tterwelten 🗓

Exhibition: Paperworlds/BlĂ€tterwelten 🗓

Transnational Periodical Cultures Exhibition:

Paperworlds / BlÀtterwelten

03.11.2021 – 28.01.2022

Schule des Sehens, JGU Mainz

Als Alternative zum Mainstream wollen unabhĂ€ngige Zeitschriften, sogenannte indie mags, vieles anders machen. Trotz des oft beschworenen Niedergangs von Print boomt der Indie-Zeitschriftenmarkt seit den 2010ern ungebrochen. Im Independent-Bereich trifft außergewöhnliches Design auf unterreprĂ€sentierte Themen und neue Perspektiven. Zum Beispiel verwenden marginalisierte Gruppen Zeitschriften als Sprachrohr fĂŒr Anliegen, die im Mainstream-Markt keine Plattform finden. Migrantische und sexuelle Minderheiten nutzen Magazine als gemeinschaftsbildende Darstellungsformen. Andere Indies zielen auf alternative Lifestyles, Hobbies, Sport, Mode und Design. Das AlltĂ€gliche und Gewöhnliche wird durch die kĂŒnstlerische Gestaltung ungewöhnlich.

Die Ausstellung ist als walk-by exhibition konzipiert. Durch Magazine exemplarisch illustriert werden die vier Bereiche Print/Digital, Cover, Zeit/Alltag und Sprache.

Zur Eröffnung erscheinen ein zweisprachiges Begleitheft und englischsprachige Clips.

Further information: http://www.transnationalperiodicalcultures.net/paperworlds-blatterwelten/