July 2 – Guest Lecture “World War I, New York Dada, and Baroness Elsa von Freytag-Loringhoven” 🗓

July 2 – Guest Lecture “World War I, New York Dada, and Baroness Elsa von Freytag-Loringhoven” 🗓

Irene Gammel
(Toronto Metropolitan University)

“World War I, New York Dada, and Baroness Elsa von Freytag-Loringhoven”

July 2, 2024, 09:40pm, N.106 (Campus Germersheim)

This lecture explores the intersection of World War I, New York Dada, and the impact of German- born Baroness Elsa von Freytag-Loringhoven. An experimental poet, performer, and Dadaist, the Baroness helped shape the New York avant- garde scene between 1913 and 1923. Known for her provocative challenges to American cultural norms, she embodied the radical spirit of Dada through her performances and writings. Severely impoverished, she also embodied Dada’s radical DIY aesthetic and materiality. The Baroness’s legacy and contributions to New York Dada are reevaluated, offering new insights into this transformative period in art history as well as considering the opportunities and challenges of writing an artist’s biography.

Since coming to Toronto Metropolitan University in 2005, Dr. Irene Gammel has held positions as professor of English, Canada Research Chair in Modern Literature and Culture (2005; renewed 2011), and director of the Modern Literature and Culture Research Centre. She is the author and editor of fourteen books, including the internationally acclaimed Baroness Elsa: Gender, Dada and Everyday Modernity (MIT Press) and Looking for Anne of Green Gables (St. Martin’s Press), as well as over 50 peer-reviewed articles and chapters. Irene Gammel is well- known for her scholarship on gender and modernism. Her research has helped uncover the earliest roots of modern and feminist performance art, contributed to the consolidation of L.M. Montgomery Studies as an academic field, and claimed women‘s confessional discourses as a sub- discipline of autobiographical studies. As the Director of the Modern Literature and Culture (MLC) Research Centre, she has hosted and curated numerous exhibitions, symposia, and workshops; her passion is training students at all levels through experiential methods.

 

You can download the poster for the event here.

July 1 – Guest Lecture “Dos Hemisferios: Racial Capitalism and the Problem of Latinidad in Hispano-American Newspapers in Paris and New York City, 1852-1856” 🗓

July 1 – Guest Lecture “Dos Hemisferios: Racial Capitalism and the Problem of Latinidad in Hispano-American Newspapers in Paris and New York City, 1852-1856” 🗓

David Luis-Brown
(Claremont Graduate University, CA, USA)

Dos Hemisferios: Racial Capitalism and the Problem of Latinidad in Hispano-American Newspapers in Paris and New York City, 1852-1856″

July 1, 2024, 15:10pm, N.206 (Campus Germersheim)

 

The phrase dos hemisferios (“two hemispheres”) captured the breathtaking ambition of two leading Spanish-language newspapers in Paris, El Eco de Ambos Mundos (1852-55) and its successor, El Eco Hispano-Americano (1854-72), to use the technology of the newspaper to bridge the vast distances separating Spanish-speakers in the Atlantic world through intellectual exchange and assertions of a coherent linguistic and cultural identity. What the papers variously characterized as “Spaniards,” the “raza latina” (the “Latin race”) or the Hispano-American people, today we term Latinidad—discourses on the culture and identity of Latin Americans and Latina/o/x people. Examining two-year runs of the Eco papers alongside the Cuban exile paper El Mulato (1854) in New York City, I show how these newspapers constructed implicit and explicit discourses of Latinidad linking the dos hemisferios, at times reinforcing racial capitalism and Spanish colonialism and at times criticizing their forms of exploitation and oppression, thereby expanding the bounds of Latinness. Very briefly, theories and histories of racial capitalism argue that racial differentiation is central to the processes of violent accumulation of capital and exploitation that are central to capitalism (Jenkins and Leroy, Melamed, C. Robinson, Singh).

 

David Luis-Brown is an associate professor in the Cultural Studies and English Departments at Claremont Graduate University. His research specializations include hemispheric Americas studies, Latino/a/x studies, black diaspora studies, and American literature and culture in general. He is the author of Waves of Decolonization: Discourses of Race and Hemispheric Citizenship in Cuba, Mexico and the United States (Duke University Press, 2008). Luis-Brown is working on two books: a critical edition and translation of Andrés Avelino de Orihuela’s Cuban 1854 antislavery novel, El Sol de Jesús del Monte, under submission at a university press; and Blazing at Midnight: Slave Rebellion and Social Identity in Cuban and U.S. Culture. One of the chief aims of Blazing at Midnight is to assess techniques of social categorization in predisciplinary social science, travel narratives, novels, periodicals, and visual culture.

 

You can download the poster for the event here.

 

June 27 – Guest Lecture “Selective Anti-Imperialism, Settler Colonialism and the Lure of Racial Capitalist Progress in Spanish-Language Periodicals in Paris” 🗓

June 27 – Guest Lecture “Selective Anti-Imperialism, Settler Colonialism and the Lure of Racial Capitalist Progress in Spanish-Language Periodicals in Paris” 🗓

David Luis-Brown
(Claremont Graduate University, CA, USA)

“Selective Anti-Imperialism, Settler Colonialism and the Lure of Racial Capitalist Progress in Spanish-Language Periodicals in Paris”

June 27, 2024, 18:15pm, P 109a (Philosophicum)

The Spanish-language newspapers El Eco de Ambos Mundos and El Eco Hispano-Americano of Paris engaged in an unprecedented, transnational collaboration among Latin Americans, exile and migrant hispanoamericanos and Spaniards in constructing a Hispano-American identity or Latinidad in opposition to U.S. imperialism from 1852 to 1855, well before the Chilean Francisco Bilbao and the Colombian José María Torres Caicedo coined the term América Latina in the summer of 1856 in Paris. There were two politically discordant sets of writing threading through these two newspapers. First, writers championed the “Latin race” as an important contributor to the alleged progress of capitalism, as in editorials by the Spaniard José Florez and in a series of articles by the pioneering Spanish Humboldtian natural historian and sociologist Ramón de la Sagra. In a second, dissenting note in the newspapers, a critical take on both U.S. imperialism and Spain’s intertwined legacies of colonialism, racial hierarchies and slavery emerged.

The topic of this talk is the contradiction between Latinidad’s opposition to U.S. imperialism in the newspapers’ coverage of Latin American news versus their oftentimes uncritical stance towards Spanish colonialism and Latin American settler colonialism. The newspapers’ coverage of Latin American news addressed U.S. imperial expansionism, U.S. and European filibusterism and the strong-arm politics of dictators and Spanish colonial governments as well as constitutional conventions and wars against Indigenous peoples.

This talk is an excerpt from a monograph in progress tentatively titled “Dos Hemisferios: Racial Capitalism, Revolution and the Problem of Latinidad in Hispano-American Newspapers in Paris and New York City, 1852-1856.” This book examines how three Spanish-language newspapers built on their contributors’ experience of the revolutionary energies, insights and missteps of two revolutions, the anticolonial and antislavery Ladder Rebellion in Cuba (1843-44) and the republican European insurgencies of 1848 to think through the possibilities and limitations of Latinidad in relation to racial capitalism and empire in writings focusing on culture, economic activities and everyday life.

David Luis-Brown is an associate professor in the Cultural Studies and English Departments at Claremont Graduate University. His research specializations include hemispheric Americas studies, Latino/a/x studies, black diaspora studies, and American literature and culture in general. He is the author of Waves of Decolonization: Discourses of Race and Hemispheric Citizenship in Cuba, Mexico and the United States (Duke University Press, 2008). Luis-Brown is working on two books: a critical edition and translation of Andrés Avelino de Orihuela’s Cuban 1854 antislavery novel, El Sol de Jesús del Monte, under submission at a university press; and Blazing at Midnight: Slave Rebellion and Social Identity in Cuban and U.S. Culture. One of the chief aims of Blazing at Midnight is to assess techniques of social categorization in predisciplinary social science, travel narratives, novels, periodicals, and visual culture.

You can download the poster for the event here.

June 18 – Guest Lecture “Imagining Otherwise: Indigenous Futurisms in Andrea L. Rogers’ _Man Made Monsters_” 🗓

June 18 – Guest Lecture “Imagining Otherwise: Indigenous Futurisms in Andrea L. Rogers’ _Man Made Monsters_” 🗓

Vanessa Evans
(Appalachian State University)

“Imagining Otherwise: Indigenous Futurisms in Andrea L. Rogers’ Man Made Monsters

June 18, 2024, 12:15pm, P 103 (Philosophicum)

 

Cherokee writer and scholar Daniel Heath Justice tells us that to live otherwise, we must first imagine otherwise (156). Taking Justice’s claim seriously, this presentation considers how Andrea L. Rogers’ (Cherokee) short story “An Old-Fashioned Girl,” from her collection Man Made Monsters, (re)imagines Cherokee removal through fantasy and horror genre conventions. In this way, Rogers’ story functions as a work of Indigenous futurism(s) that contributes to the renewal, recovery, and extension of Indigenous peoples’ voices and traditions (Dillon 1–2).

 

Vanessa Evans (she/her) is a settler scholar and Assistant Professor of Indigenous Literatures at Appalachian State University in the Blue Ridge Mountains of North Carolina. Her current monograph project investigates how contemporary Indigenous novels from North America, Oceania, and South Asia represent Indigenous resurgence. This research makes a case for the essential value of comparative, cross-cultural frameworks by reading trans-Indigenously across literary constellations of coresistance comprised of novels from seemingly disparate Indigenous nations. Vanessa’s recent essays appear or are forthcoming in Studies in the Novel (2022), The International Journal of Online Pedagogy and Course Design (2022), and Mapping World Anglophone Studies: English in a World of Strangers (2024). A co-edited collection with Mita Banerjee entitled Cultures of Citizenship in the Twenty-First Century: Literary and Cultural Perspectives on a Legal Concept was published with Transcript in early 2024. Vanessa is also a Co-Managing Editor for the Journal of Transnational American Studies.

 

You can download the poster for the event here.

 

June 18 – Guest Lecture “Quiet Money: The Family Fortune that Transformed New York, the American Southwest, and the Modern Middle East” 🗓

June 18 – Guest Lecture “Quiet Money: The Family Fortune that Transformed New York, the American Southwest, and the Modern Middle East” 🗓

Katherine Benton-Cohen
(Georgetown University)

“Quiet Money: The Family Fortune that Transformed New York, the American Southwest, and the Modern Middle East”

June 18, 2024, 4:15pm, Fakultätssaal (01-185, Philosophicum)

In this talk Professor Benton-Cohen examines the global impact of the Phelps-Dodge family and copper mining empire over the course of the 19th and 20th centuries. The history of the extended Phelps-Dodge family and their giant copper-mining corporation reveals a social, environmental, and labor history of global capitalism and philanthropy. PD (as it was known by its employees in its many company towns) was one of the US’s most important copper mining companies, until the largest mining merger in history, with the gold-mining company Freeport McMoRan in 2006. The extended Dodge family’s wealth and influence connect places and people seemingly worlds apart—the US-Mexico “copper borderlands”; the elite institutions of the Ivy League and New York; and US influence in the Middle East. Yet little is known of these connections, thanks to the alienation of labor and wealth, and the understated manner of the Dodges. In this talk, Benton-Cohen will discuss in particular the company’s influence on Arizona and how it used its “quiet money” to spread its influence.

Katherine Benton-Cohen is professor and director of doctoral studies in the department of history at Georgetown University. She is the author of Inventing the Immigration Problem: The Dillingham Commission and Its Legacy (Harvard, 2018) and Borderline Americans: Racial Division and Labor War in the Arizona Borderlands (Harvard, 2009). She also served as historical advisor to the nonfiction feature film Bisbee ’17 , winner of the American Historical Association’s O’Connor 2019 prize for best documentary film. Benton-Cohen has held fellowships from Princeton Library, the New York Public Library, American Philosophical Society, the National Endowment for the Humanities, the Woodrow Wilson International Center for Scholars, and elsewhere, and has been a visiting scholar at Chuo University in Tokyo. She has appeared in a variety of media outlets including “Matter of Fact with Soledad O’Brien,” the BBC, NPR, and PBS American Experience. She is an OAH Distinguished Lecturer, on the Board of Modern American History, and on the Scholarly Advisory Council for the Wisconsin Historical Society. Benton-Cohen is currently writing a global history of the Phelps-Dodge copper-mining family, whose capitalist and philanthropic links between New York, the US-Mexico Borderlands, and the Middle East profoundly changed each region.

You can download the poster for the event here.

June 6 – Guest Lecture “Reading Resurgence: Contemporary Indigenous Novels as Constellations of Coresistance” 🗓

June 6 – Guest Lecture “Reading Resurgence: Contemporary Indigenous Novels as Constellations of Coresistance” 🗓

Vanessa Evans
(Appalachian State University)

“Reading Resurgence: Contemporary Indigenous Novels as Constellations of Coresistance”

June 6, 2024, 18:15pm, P 109a (Philosophicum)

As settler countries contend with the complexity of Indigenous sovereignty and land-back movements, reconciliation, and the fallout from colonial schools, the relevance of Indigenous resurgence is rising on a global scale. This presentation considers how contemporary Indigenous novels from seemingly disparate Indigenous nations in North America, Oceania, and South Asia represent resurgence: the everyday practices that seek to regenerate and re-establish Indigenous nations (Simpson 2017). Accordingly, this research asks: what do literary representations of resurgence reveal about how diverse Indigenous contexts are (re)imagining Indigenous worlds? What might be gained by a comparative approach grounded in the understanding that distant contexts and peoples are connected and responsible to one another?

Vanessa Evans (she/her) is a settler scholar and Assistant Professor of Indigenous Literatures at Appalachian State University in the Blue Ridge Mountains of North Carolina. Her current monograph project investigates how contemporary Indigenous novels from North America, Oceania, and South Asia represent Indigenous resurgence. This research makes a case for the essential value of comparative, cross-cultural frameworks by reading trans-Indigenously across literary constellations of coresistance comprised of novels from seemingly disparate Indigenous nations. Vanessa’s recent essays appear or are forthcoming in Studies in the Novel (2022), The International Journal of Online Pedagogy and Course Design (2022), and Mapping World Anglophone Studies: English in a World of Strangers (2024). A co-edited collection with Mita Banerjee entitled Cultures of Citizenship in the Twenty-First Century: Literary and Cultural Perspectives on a Legal Concept was published with Transcript in early 2024. Vanessa is also a Co-Managing Editor for the Journal of Transnational American Studies.

You can download the poster for the event here.