“Love and Debt: The Product Red Campaign and the Racial Dynamics of Neoliberal Religion”
July 5, 2023, 12:15pm, P 203 (Philosophicum)
This talk will be held as part of the seminar “Abundant America.”
Chad Seales is Associate Professor of Religious Studies and Brian F. Bolton Distinguished Professor in Secular Studies. He taught at New College of Florida in Sarasota and George Mason University in Fairfax, Virginia before arriving at The University of Texas at Austin. He earned a B.A from the University of Florida, an M.T.S. from Candler School of Theology at Emory University, and a Ph.D. from the University of North Carolina at Chapel Hill. His research addresses the cultural relationship between religion and secularism in American life, as evident in the social expressions of evangelical Protestants, the moral prescriptions of workplace chaplains and corporate managers, and the salvific promises of neoliberal capitalism. He is the author of Religion Around Bono: Evangelical Enchantment and Neoliberal Capitalism (Penn State University Press, 2019), and The Secular Spectacle: Performing Religion in a Southern Town (Oxford University Press, 2013), and has published articles on industrial religion, corporate chaplaincy, religion and film, and secularism and secularization in the United States.
July 4, 2023, 4-8 p.m., P1 & Philo-Wiese (Philosophicum)
What might the 4th of July mean to Americans and foreigners in general and especially in 2023?
From insights into the U.S. Senate’s social fabric to an “American Way of Death” to students’ takes on the meaning of the holiday: Join us in discussing the day’s importance and possible criticism but also in celebrating an informal Obama Institute summer get-together of students, faculty, and friends.
Food and drinks will be provided!
4-6 p.m. I Guest Talks I P 1
The Social Fabric of the U.S. Senate Professor Sean Theriault The University of Texas at Austin
Selling “The American Way of Death” PD Dr. Jan Logemann JGU Mainz/Uni Göttingen
6-8 p.m. I (Graduate) Student Project Exhibition with Food and Drinks
Posters and performances by students from Dr. Bailey Moorhead’s courses
Do we play video games or do video games play us? Is nonhuman play a mere paradox or the future of gaming? And what do video games have to do with quantum theory? In the talk based on her recent book Playing at a Distance (MIT Press 2022), Fizek will engage with these questions, proposing new ways to think about games and play that decenter the human player and explore a variety of play formats and practices that require surprisingly little human action. Idling in clicker games, wandering in walking simulators, automating gameplay with bots, or simply watching games rather than playing them— Fizek will argue that these seemingly marginal cases are central to understanding how we play in the digital age. Introducing the concept of distance, she will reorient the view of computer- mediated play. To “play at a distance”, as will be argued, is to delegate the immediate action to the machine and to become participants in an algorithmic spectacle. Distance has been conceptualized as a media aesthetic framework that may enable us to come to terms with the ambiguity and aesthetic diversity of play.
Sonia Fizek is a media and games scholar. She holds a professorship in Media and Game Studies at the Cologne Game Lab at TH Köln – University of Applied Sciences. Fizek is also a visiting professor at the University of Lower Silesia in Wroclaw (Poland) and a co-editor-in-chief of the international Journal of Gaming and Virtual Worlds. In her latest book Playing at a Distance (MIT Press 2022), she explores the borderlands of video game aesthetic with focus on automation, AI and posthuman forms of play. Fizek’s current research concentrates on the environmental aspects of video game development. Since 2021 she has been a principal investigator of “Greening Games” (greeninggames.eu), an international project on the sustainability of video games (funded by the German Academic Exchange Service EU/DAAD).
Associate Professor Ian Afflerbach (University of North Georgia, USA)
“The Racial Sellout: Language, History, and Popular Culture“
June 20, 2023, 4:15pm, 00.212 (Philo II, Jakob-Welder-Weg 20)
What does it mean to “sell out” your race? This talk will examine the history of such accusations in the United States, moving from early 20th century debates over black leadership to contemporary scandals in popular culture. It will explain why ideas about racial “authenticity” and “solidarity” are so controversial, yet so vital. And it will explore both the unique language used to identify race traitors, such as “Uncle Tom” and “house Negro,” as well as the ways this anxiety about racial loyalty reflects a broader American anxiety with the idea of “selling out.”
Ian Afflerbach is Associate Professor of American Literature at the University of North Georgia, where his research and teaching focus on the history of ideas, modernist studies, African American literature, and popular periodicals. He recently completed his first book, Making Liberalism New (Johns Hopkins 2021) and has begun work on a second project—a cultural history of “selling out” in modern America. He is currently a fellow at the University of Regensburg, Germany.
Prof. Dr. Brigitte Johanna Glaser (Georg-August-Universität Göttingen)
May 16, 2023, 9:40am, N.106 (Stufenhörsaal)
“Margaret Atwood’s Venture into Graphic Novels: The Angel Catbird Trilogy and the War Bears Series”
Professor Glaser’s research focus is in Canadian Studies, Globalization and Transcultural Literature, Postcolonial Studies as well as 18th-Century Literature and Culture. Her publications include the co- edited volumes Shifting Grounds: Cultural Tectonics along the Pacific Rim (2020) and Transgressions / Transformations: Literature and Beyond (2018). Since February 2021, she has been the president of the Association for Canadian Studies in German-Speaking Countries.
This summer term, all members of JGU – students, teachers, administrative staff – are invited to come together to immerse themselves into Witi Ihimaera’s novel The Whale Rider. The book tells the story of Kahu, the daughter of a respectable Māori family, who struggles to take her place in the iwi (tribe) and win the love and respect of her grandfather, the chief of the iwi. It is a story of rejection and reconciliation, of tradition and renewal – and last but not least, it is a story of the deep connection between humans and nature. The plot seems familiar and yet wants to be read in its very own Māori traditions.
To foster cross-cultural exchange about the novel at our university and beyond, we have planned a number of events: a hybrid lecture series (Wednesdays from 08:00 pm to 9:30 pm (CET), starting April 26th; PDF), Q&As with experts from Mainz and New Zealand, a screening and discussion of Niki Caro’s 2002 film adaptation of the novel, several social (digital) exchange formats including a “New Zealand-week” at the university canteen. The project, which received an award from the Stifterverband and the Klaus Tschira Foundation as part of the “One University – One Book” program, welcomes you all to embark on a multidisciplinary exploration of New Zealand life and literature in times of critical debates about postcolonialism, decolonization and climate change.
Chad Seales is Associate Professor of Religious Studies and Brian F. Bolton Distinguished Professor in Secular Studies. He taught at New College of Florida in Sarasota and George Mason University in Fairfax, Virginia before arriving at The University of Texas at Austin. He earned a B.A from the University of Florida, an M.T.S. from Candler School of Theology at Emory University, and a Ph.D. from the University of North Carolina at Chapel Hill. His research addresses the cultural relationship between religion and secularism in American life, as evident in the social expressions of evangelical Protestants, the moral prescriptions of workplace chaplains and corporate managers, and the salvific promises of neoliberal capitalism. He is the author of Religion Around Bono: Evangelical Enchantment and Neoliberal Capitalism (Penn State University Press, 2019), and The Secular Spectacle: Performing Religion in a Southern Town (Oxford University Press, 2013), and has published articles on industrial religion, corporate chaplaincy, religion and film, and secularism and secularization in the United States.
