July 4, 2023, 4-8 p.m., P1 & Philo-Wiese (Philosophicum)
What might the 4th of July mean to Americans and foreigners in general and especially in 2023?
From insights into the U.S. Senate’s social fabric to an “American Way of Death” to students’ takes on the meaning of the holiday: Join us in discussing the day’s importance and possible criticism but also in celebrating an informal Obama Institute summer get-together of students, faculty, and friends.
Food and drinks will be provided!
4-6 p.m. I Guest Talks I P 1
The Social Fabric of the U.S. Senate Professor Sean Theriault The University of Texas at Austin
Selling “The American Way of Death” PD Dr. Jan Logemann JGU Mainz/Uni Göttingen
6-8 p.m. I (Graduate) Student Project Exhibition with Food and Drinks
Posters and performances by students from Dr. Bailey Moorhead’s courses
„Interstellar – Ein Menschlicher Blick auf das Universum“
Filmvorführung und Gespräch im Rahmen der Reihe „Akademie Trifft Kino im Wissenschaftsjahr ‚Unser Universum‘“
Am Sonntag, den 18. Juni 2023, 15.30 Uhr, zeigen wir im CAPITOL Mainz Christopher Nolans Kinofilm „Interstellar“ mit Matthew McConaughey und Anne Hathaway, in dem es u.a. darum geht, wie ein künftiges Leben im Weltall aussehen könnte. Doch wie viel Wissenschaft steckt sich hinter der spannenden und spektakulären Handlung des Science-Fiction-Filmes? Und was sagt dieser Blick auf das Universum über die Menschheit?
Der Amerikanist Dr. Jens Temmen und der Physiker Prof. Dr. Matthias Neubert erörtern in einem einführenden Gespräch diese und andere Fragen.
Die Vorführung wird von der Jungen Akademie | Mainz in Kooperation mit Prisma+ und dem CAPITOL organisiert. Eintrittskarten sind zum Sonderpreis von 7,- € an der Kinokasse erhältlich, nähere Informationen:
FAMILY MATTERS follows the traces of a German family that, over generations, continues to cross the Atlantic in both directions. Like Elizabeth and Henry who, at the beginning of the 20th century, are forced to leave their beloved New York to return to the old country; the violinist Clara who can only live her passion for music in the American of the suffragettes; the war bride Toni, who courageously follows a G.I. to Nebraska after World War II; and, finally, the student Iris who is trying to find her place in both worlds in the 1980s. Looking back, they all ask the same question: „What if . . . ?” What if they had not gone to America, or back to the old country? If they had not fallen in love? What if they had taken that other road and pursued their dreams a bit more forcefully?
FAMILY MATTERS takes ordinary, yet memorable characters out of the yellowed pictures in the photo albums, gives them a voice and places them in their own time. Martina J. Kohl revives the past. She shows that today cannot be understood without the yesterday. And that migration, uprooting and the search for belonging are universal themes.
Martina J. Kohl worked in the Cultural Section of the U.S. Embassy in Berlin, Germany, for many years. She developed and organized numerous programs, but especially loved the literature series. Writing has been a passion ever since she taught at the University of Michigan. It is part of her seminars that she teaches regularly at Humboldt University Berlin and defined her work as editor of the American Studies Journal. As an advisory board member of the Salzburg Global American Studies Program, she continues to engage in transatlantic dialogue. Among her academic publications, FAMILY MATTERS is her first book-length fictional work.
This summer term, all members of JGU – students, teachers, administrative staff – are invited to come together to immerse themselves into Witi Ihimaera’s novel The Whale Rider. The book tells the story of Kahu, the daughter of a respectable Māori family, who struggles to take her place in the iwi (tribe) and win the love and respect of her grandfather, the chief of the iwi. It is a story of rejection and reconciliation, of tradition and renewal – and last but not least, it is a story of the deep connection between humans and nature. The plot seems familiar and yet wants to be read in its very own Māori traditions.
To foster cross-cultural exchange about the novel at our university and beyond, we have planned a number of events: a hybrid lecture series (Wednesdays from 08:00 pm to 9:30 pm (CET), starting April 26th; PDF), Q&As with experts from Mainz and New Zealand, a screening and discussion of Niki Caro’s 2002 film adaptation of the novel, several social (digital) exchange formats including a “New Zealand-week” at the university canteen. The project, which received an award from the Stifterverband and the Klaus Tschira Foundation as part of the “One University – One Book” program, welcomes you all to embark on a multidisciplinary exploration of New Zealand life and literature in times of critical debates about postcolonialism, decolonization and climate change.
The OI will be hosting an informal first meet & greet for students and alumni of American Studies and cordially invites all students of the BA and MA programs to connect with each other and our alumni. This is your chance to talk about possible careers after finishing an American Studies program and ask any question you might have on how to make the most of your degree and ambitions.
Two alumnae, who are holding qualified positions, will speak about their jobs and their working experiences to students interested in finding out more about opportunities and perspectives for American Studies graduates.
February 14, 2023: Screening of Yehuda Sharim’s film Letters2Maybe (2021)
February 15, 2023: Workshop with Yehuda Sharim (“A Map of Light: Creativity & Inspiration during Dark Times”)
On behalf of The Obama Institute for Transnational American Studies, Prof. Dr. Mita Banerjee cordially invites everyone to two events with filmmaker Professor Yehuda Sharim (UC Merced, California):
Yehuda Sharim is a writer, photographer, filmmaker, and poet. As the son of Persian immigrants to Israel, his work focuses on the relationship between the quotidian and poetic. Sharim’s films have appeared in film festivals, artistic venues, and universities across the world. Oscillating between fiction and documentary filmmaking, his work offers an intimate portrayal of those who refuse to surrender amidst daily devastation and culminating strife, offering a vision for equality and a renewed solidarity in a divisive world. He currently serves as an Assistant Professor in the Program of Global Art Studies, University of California, Merced.
Letters2Maybe is an intimate portrayal of those who refuse to surrender amidst daily devastation and culminating strife, offering a vision for equality and a renewed sense of solidarity in a divisive country. Letters2Maybe offers a fluid and eclectic tapestry of physical and emotional movement of different immigrant communities as they encounter impossible challenges in a country of compounded catastrophes. By embracing a kaleidoscopic style of storytelling to highlight the poetics and precarity that follow the craving for freedom, Letters2Maybe is an unfinished letter, articulating the ever-growing yet unflinching demand for justice and tenderness in our world today. (2021; 92 min.)
A Map of Light: Creativity & Inspiration during Dark Times (workshop) – The camera is obsessed with light. Darkness is never considered aesthetically pleasing. We are told that we need to see: we need to see as a way to learn, and make sense. And light is the most critical ingredient in shaping that illusion of “seeing” as “being.” We are like our cameras, chasing lights, forgetting that darkness and the uncertainty that accompanies darkness are inseparable from any source of light. In this talk, we will interrogate what it means to follow a creative vision (start a film, book, and more), exploring this desire to create, shape, and enter a space of experimentation. We will examine different aspects of community-cinema and take into consideration the various personal/collective challenges and doubts that keep us away from the work that we know we are meant to do. This talk is about that thirst to film and create new visions during calamitous times.
